Welcome
This blog is dedicated to the topics of Course materials, Innovation, and Technology in Education. it is intended as an information source for the college store industry, or anyone interested in how course materials are changing. Suggestions for discussion topics or news stories are welcome.
The site uses Google's cookies to provide services and analyze traffic. Your IP address and user agent are shared with Google, along with performance and security statistics to ensure service quality, generate usage statistics, detect abuse and take action.
Friday, August 7, 2015
Wearable Offers Mobile Books for the Blind
Tuesday, July 21, 2015
Books Go Multimedia to Lure Kid Readers
Tuesday, August 26, 2014
New University Redefines 'Library'
Thursday, December 6, 2012
iPad Is Not Killing the Printed Book
Monday, January 16, 2012
Wiley Publishing's Interactive E-book
Sunday, January 15, 2012
Charming Video Promoting Traditional Books
“Now, I dismiss predictions of the death of the book. My new certainty that books and reading will endure wasn’t brought about poring over academic tomes or analyzing libraries’ circulation statistics. It’s a conviction that comes from 15 students, expressions of glee on their faces as they watched one of their members discover the wonders of Reinhart’s Star Wars papercraft.
This winter I've got the sort of warm satisfaction that stems from others' real interest in what matters most to us. My students, they've got books: one on order from Amazon; one in a young woman's head, hoping to make its way into print; and others that many read and loved this term, which they plan to share with the children they'll have someday. I've seen the future of the book. It's in our students' hands.”
Wednesday, December 14, 2011
Decline in Print Sales in 2011
Thursday, November 10, 2011
The First "Smartbook"
Wednesday, May 18, 2011
Video: Next generation book
Saturday, May 14, 2011
Publishers Try to Come to Grips with Digital Challenge
“The entire publishing industry is going down the drain,” an executive from Siemens told the publishers in a sponsored address about a tablet publishing software service. While most attendees probably don’t actually believe that, they are trying to tell their stories in new ways through technology such as iPhone apps.
They want to learn from the painful lessons of the music industry, but also fear competition that ranges from self-publishing authors to e-tail giants such as Amazon, which recently launched its own publishing imprint for romance novels.
“We need to anticipate and create new business models that give consumers access when they want it,” said Victoria Barnsley, international CEO at HarperCollins.
Friday, February 18, 2011
Young Readers Starting to Become E-Readers
Now, the New York Times is reporting that publishers are seeing increases in sales of children’s and young adult e-titles. The article provides details from both HarperCollins and St. Martin’s Press that show jumps in digital sales of young-adults e-books in just the first month of 2011.
One possible explanation for the increase is that price drops in the electronic devices made them attractive for younger readers last Christmas. The Times also suggests K-12 teachers may be getting reports that some K-12 teachers are beginning to allow leisure reading on the devices during homeroom or in English classes.
Monday, January 18, 2010
Predictions from the higher ed CIO
Among his list of trend predictions for higher ed IT in 2010 of interest to this blog are the pieces on both gaming and open content. However, most who follow this blog will probably appreciate the following trend prediction most:
(5) The E-Book Reader Grows up and Goes to Campus. 2009 marked the birth of the e-book reader in the university marketplace. The first set of entrants put the already nervous higher education (text)book market on notice. New business models, publishing models, revenue sharing strategies, and new models around intellectual property and the assigned ‘text’ for a course proliferated and served to dislodge the staid legacy economy for many universities. If buying second hand books online was not enough, the new e-book readers were perceived by some to disintermediate traditional providers of services and economic benefit in the college supply chain. In 2010 a whole new generation of e-book readers will emerge as the life cycle of innovation really takes off for this class of mobile smart pads. Dedicated, single purpose readers will be eclipsed this year by new, integrated platforms supporting new functionality, Web services, rich media, open application development environments, and a wide range of new experimental interface approaches. Publishers, bookstores, technology, and entertainment giants will all clamor to the market, marking a significant if not final shift from the traditional bound book toward fully repurposable content for learning, including traditional texts.
This is not the first quarter from which we have heard a similar prediction regarding e-readers and course materials. I would not expect a complete change in this space in 2010, but as Lev suggests, there are some powerful shifts at work here as we rapidly move from one generation, to the next, to be followed by yet another --all within a very compressed timeline. The potential for e-readers and e-textbooks in higher education has not missed the attention of college CIOs, publishers, new entrants, device manufacturers, or a myriad of other players (both new and established).
2010 could very well be the start of a new decade in more ways than one.
Wednesday, January 13, 2010
A definite date for digital textbooks...
What this means is that if you are a bookseller serving a college or university in the state of California you can expect that 100% of the print books you sell will have an alternative digital option available in less than a decade. It also means that if the content is available for California, it is likely going to be available in every other state as well. Therefore, if you are not currently getting experience selling, marketing, and delivering e-books, then you are probably already giving up market share, and will certainly do so in the future. If your store cannot offer digital, then your competitors will (and in some cases already are).
We now have a more definitive deadline: a decade at maximum. Waiting 9 years and 11 months to prepare would not be good business strategy. One could liken this to a tsunami, which may not be all that visible until it gets closer to shore. We may see warning signs, such as the tide pulling out to dramatic levels. Early warning beacons may go off. Waiting around on the beach to see what might happen next is probably not a good idea, no matter how sunny the sky may seem today. We have all the lessons from other industries around us which gives book retailers the best chance of survival in the face of digital. Relying on a future of just print does not serve our customers, and does not position a store for continued success. We have a decade at most before our tsunami hits -- and that is if you estimate VERY conservatively.
So, what are you doing to prepare for digital textbooks today? (Seriously, we would like to hear.)
Friday, January 8, 2010
Future predictions
“This is the decade when book publishing will (finally) be transformed from a business that chops down trees and puts returnable books into bookstores... into one that finds ideas, funds the writers that need it, and uses their (authors' and publishers') leverage and skills to promote those ideas to people willing to pay for them, in whatever format is the most efficient way to get that transaction to occur. If that doesn't happen, and the industry (led by reactionary old-school CEOs) persists in defining itself as being in the book business, it will be 15% the size it is today by the end of the decade. It's our choice."Gallycat also has a number of interesting posts about different e-readers and developments at the Consumer Electronics Show (CES) out in Las Vegas. Such as their Video Tours of e-readers.
Tuesday, February 17, 2009
A question...
After giving this quite a bit of thought, I think this is in fact the wrong question. I think the question should be more something along the lines of "are current e-book solutions a poor substitute for what is really wanted?" After Henry Ford created the automobile, he reportedly quipped that if he had asked people what they really wanted, they would have said faster horses. There is another quote, who's author I do not know, that goes something like, lightbulbs did not result from the continuous improvement of candles. In other words, sometimes breakthrough advances or radical changes in a space result in new technologies that are so different from what we remember, that they are hard to predict. But, when the right technology comes onto the scene, there can be a more or less rapid transition from the old technology to the new.
People may be skeptical of e-books, arguing that there is no market demand for such content or devices, yet look at the success of Stanza -- an e-reader application for the iPhone. At the TOC conference last week they reported that in less than seven months after their creation they had over 1.3 million downloads of their reader across 60 countries and had downloaded more than 5 million books in twelve languages. Not bad for a platform where the CEO of the company said not long ago that no one reads anymore. Maybe reading the "old way" has become like using candles before the lightbulb.
Any thoughts?
Wednesday, February 11, 2009
How literature is evolving in the digital age
"More books, written and read by more people, often for little or no money, circulating in a wild diversity of forms, both physical and electronic... If readers want to pay for the old-school premium package, they can get their literature the old-fashioned way: carefully selected and edited, and presented in a bespoke, art-directed paper package. But below that there will be a vast continuum of other options: quickie print-on-demand editions and electronic editions for digital devices, with a corresponding hierarchy of professional and amateur editorial selectiveness. (Unpaid amateur editors have already hit the world of fan fiction, where they're called beta readers.) The wide bottom of the pyramid will consist of a vast loamy layer of free, unedited, Web-only fiction, rated and ranked YouTube-style by the anonymous reading masses." He goes on to add that fiction will be, "Like fan fiction, it will be ravenously referential and intertextual in ways that will strain copyright law to the breaking point. Novels will get longer--electronic books aren't bound by physical constraints--and they'll be patchable and updatable, like software.
Recently we have begun to see some examples of publishers moving to pure e-formats for selected content and finding ways to monetize the new way of releasing fiction. In the future, we could see consumers shift away from content abundance and rely on respectable publishers to do the editing and presentation. In turn, this could drive publishers back to their core competence of editing and compiling information - leaving the delivery, formatting, and consumer choice of access to other companies and technologies.
Sunday, February 8, 2009
Publishing industry in 2009
We look forward to the full report due out later this month titled, “Digital Platforms and Technologies for Book Publishers: Implementations Beyond eBook.”
Friday, December 26, 2008
E-books turning the page...
For a decade, consumers mostly ignored electronic book devices, which were often hard to use and offered few popular items to read. But this year ... the e-book has started to take hold.
The perception is that e-books have been around for 10 years and haven’t done anything ... But it’s happening now. This is really starting to take off.
And as we come close to the end of 2008, these quotes are significant ones. The article provides many other examples and provides a good summary of e-books across the spectrum of devices, and some sampling of sales trends. The message seems to be that e-books are coming close to jumping the adoption chasm and are on the verge of becoming more mainstream. Booksellers that are not thinking about how to sell content in an increasingly digital world may find themselves less and less the "go-to-first" option for readers.
Wednesday, September 24, 2008
The End of Books...
But first, a horror story. Debbie Stier, Miller’s No. 2 at HarperStudio (as this little imprint is called), has been collecting videos for their blog. “You want to see what happens to books after they go to book heaven?” she asks. On the screen of her MacBook, a giant steel shredder disgorges a ragged mess of paper and cardboard onto a conveyor belt. This is the fate of up to 25 percent of the product churned out by New York’s publishing machine. Everyone’s eyes widen, as though watching some viral YouTube gross-out. “It’s like Wall-E,” says marketing director Sarah Burningham. “It’s depressing,” Miller adds. They had sent in a flip camera with a warehouse worker. “You can see our books go through there,” says Stier. "The Crichton, the Ann Patchett.”
I would love to see that video. I tried to find a link to their blog, but was not successful in the few minutes I had this morning. The greatest or perhaps saddest quote comes from Stier's 12-year old son, when asked for birght ideas to save publishing he comments: “So maybe you have to turn all the books into movies so nobody has to waste their time.”
The article is quite long, but has some fascinating history, alongside some contemporary challenges and discussions. Midpoint in the article is an interesting discussion of how "traditional marketing is useless" that has some good lessons, or at least items to ponder. There is also some interesting analysis and insight into how Amazon works with the publishers, and what that might mean for both publishers and bookstores. Some quotes near the end could easily be modified to fit the bookstore industry. It allowed the article to end with a start as engrossing as the beginning:
But going back in time isn’t an option. A hundred Bennett Cerfs wouldn’t save the current publishing model—not without a hundred Bob Millers puzzling out the way forward, unhampered by fear or complacency. The kind of targeted, curated lists editors would love to publish will work even better in an electronic, niche-driven world, if only the innovators can get them there. Those owners who are genuinely interested in the industry’s long-term survival would do well to hire scrappy entrepreneurs at every level, people who think like underdogs.
It’ll be rough going in the meantime; some publishers will transform, some will muddle through, some will die. And there will, no doubt, be a lot of editors for whom even this diminished era will look like the last great golden age, when some writers were paid in the millions, some of their books produced in the millions, and more than half of those books actually sold. Book publishing is still a big-league business, and that’s a hard thing to let go of. “There’s something terrible,” says an editor at a prestigious imprint, “about admitting that you’re not a mass medium.”
Wow. It is like looking in a mirror and not liking what one sees, but being too engrossed to turn away. I thought the article provided a good read and some things to think about -- which is what all good reading should do.
Wednesday, September 3, 2008
CSI: Future of reading?
A step closer to born digital. It sounds like a cool idea though -- perhaps something lke the way pictures work in printed books. Such interactive content or "digital book models" could be particularly useful in travel books. I have already seen some similar type of content appear in some of the health sciences. Perhaps the CSI textbook series in forensics is next???CSI: Publishing Industry. Anthony Zuiker, creator of the numerous CSI television series, "has made a seven-figure deal with Dutton to create a series of three suspense-thriller 'digital novels,'" according to Variety, which reported that the new enture "is a publishing hybrid that broadens traditional book reading into a multiplatform experience that includes filmed components and an interactive social networking site.""I want to give traditional crime novel readers a more immersive experience," Zuiker said, noting that the online features give "publishing a chance to catch up with the YouTube generation that has lost passion for reading.""I personally don't have the attention economy to read a 250-page crime novel from start to finish," he continued. "I realized that the way I'd like to consume a novel is to be rewarded every couple of chapters by seeing something visual that enhances the narrative."